Showing posts with label mixed media. Show all posts
Showing posts with label mixed media. Show all posts

Monday, February 13, 2012

creating stickers/transparent images

Well, this weekend, after doing the canvas image transfer, I was reminded how much fun, how easy, and how cool it is to make transparent stickers from magazine pictures. It is not exactly the same process, but it has some similar elements. Also, you need very little in the way of supplies or art equipment.

Once you have the transparent image, you can then transform them into stickers or use them in mixed media work. I wanted to show you how I created a meditation piece for my art studio out of one  issue of Tricycle.

First, find a cool image to transfer, from a magazine or newspaper. This process only really works well with magazines/newspaper print. Inkjet printers are water soluble and you are going to be submerging this in water. You are basically transferring the ink to a piece of plastic, so you need to have a kind of substance behind the ink. I wanted to do a meditation piece for my studio, because I often do tonglen meditation and paint. But like all meditation, my mind wanders, and I think about groceries or people I love. So, I wanted to hang something front and center to remind me to focus.

I used this issue:

I ripped out pages with images that interested me. I like how this x-ray of the Buddha looks exactly like that small Buddha on another story. I cut and used both of those. I also dug the picture of Darwin.


First you cut out the image that you want to use.


Next use some packing tape. The transparent type. You pull out enough to cover your image.


Put your image face down onto your tape. You can use a burnishing tool, or anything really, so get it all up in the sticky of the tape.


After I did this, I decided I just wanted the Buddha head, so I cut the rest of it out.


Then you submerge the entire thing in water. Just dunk it in there. Swoosh it around. Obviously, bigger pictures need bigger vessels. Or patience.


You can keep it submerged for a few minutes. Then you rub the paper off the back.


Or peel, if the paper is willing.


And then, you have a transparent picture.


You can add glue on the back to stick it anywhere.

I also used that x-ray Buddha picture. For this one, I used two pieces of tape, because I wanted to split the image in two.  To do that, it take lining up the tape, so they don't touch. I could have also made one large transfer by overlapping the tape. This is before the water submersion.


This is after. I put it on paper towel, so you can see the transparency. I like how the dark ink areas get a little worn away. It gives it a really cool effect of antiquing or something.



Here is the final meditation piece I created. I used canvas paper. The base layer is a red/purple/white acrylic combination. Broad strokes. I did want the piece to be vertical. Then I used gold acrylic on a brayer, or an ink roller for print making. Just a few dabs directly on the brayer and then on the canvas. In the same issue, I found a shot of six Japanese calligraphy brushes made out of human hair. I made a transfer on that too. I then found a headline that read "focusing". I just cut out the focus. I used the x-ray Buddha head to head, but it makes it look like one of those optical illusions. Is it a woman, or two vases? I just don't know. After the brayer, I covered the canvas in gel medium, and just fiddled with the placement of these pieces. I love the way it turned out. Art makes me happy.



Oh, and I also made a transfer of the Darwin, because I just thought I could use a Darwin sticker some day.


I just have to say, I love the way these look when you are using animals. I really thought about making Valentine's cards with these and wild animal pictures that said, "I'm Wild about You." Just an idea. Go ahead. Steal it. Hope this helps. I would love to see what you do with this technique.


Monday, September 26, 2011

kung fu


I had a canvas with a bunch of not good painting on it, like that crappy jizo, then I tried some techniques I have never done. ANYWAY, I have this old book by Bruce Lee called Bruce Lee's Fighting Style, or something equally forgettable. It was a 29th printing, the binding was broken and it was written on by some kid, so I took some pages out, since I love that style of book with the guys in kung-fu outfits posing mid-fight. It looks so peaceful, even though it teaches you how to kick the crap out of someone. I glued the pages down, then drew my little girl over it. It says, Learning to fight taught me not to fight. Which is very true. I studied martial arts in my late teens/early twenties. Wing Chun. I miss fighting, particularly sparring with my friend Fisher. He taught me a lot.

Thursday, July 1, 2010

07.01.10






















Anatomical Heart. Watercolor. 

I had this idea for a painting/mixed media thing. I had painted something using the e.e.cummings poem i carry your heart. But I wanted to use an anatomical heart, antique it after watercoloring it, then hiding it behind kite paper and pinning it to a canvas, so it looks like it was dissected out of a body and covered, inside one of the veins, I was going to hide a little drawn cartoon-y heart. I wanted to cut the lines of the poem out and use them in the paint of the underneath canvas. I found some medical books of my husbands and began sketching and painting. This is the first anatomical heart I did. You will see the second later. This just was not good enough for what I wanted and too detailed to be interesting in a graphic way. TOO LITERAL. I did this earlier in the week.

Trying again, I made quicker sketch and used marker to color it in so it would be very graphic. Then I gessoed some foam core board that I had laying around and painted it with a combo of black, grey and blues, with red in there. It looked awful. Ditched that idea without putting the poem into the paint.

This morning, I let my daughter paint on my grey background and she did some cool bright colors on there. And I pinned my heart onto it.
























Anatomical Heart. 17"x20". Acrylic and marker.


Not exactly what I was going for in the beginning, but I love doing art with my daughter and it was fun for her to pin it in there and do a piece together. Plus, it is pretty big for a three year old.

























From art journal. Audrey and Bea Swim. Watercolor.







I carry your heart. ATC. Mixed media.





I love the last stanza of this poem. And so I cut it out and mixed my mod podge with gold paint and stuck in atop an anatomical drawing of a heart made by da Vinci. (Hell might as well steal from da Vinci, if you are stealing art.) This was in response to Kara's call for small. I had already done part of this painting larger, and thought of how it might look small. I love this one the best, perhaps because I drew nothing in it and I am full of self-critical words right now.

Sunday, June 6, 2010

06.05.10






















i look normal, but my soul is broken. 6"x9" acrylic, watercolor, ink and paper.




i need a hug. (but not from you.) ATC 2.5" x 3.5" acrylic and ink.

Thursday, May 27, 2010

Some recent work.

It has been months since I have posted. Sorry. So much has happened. My husband had surgery, while I was massively pregnant during which we had a two week stomach virus, then ebola, and then I began having three ob appointments a week, and then we had a living, breathing baby. Holy crap.

Still, me and the girl have been doing lots of art around these parts, though, and I have given myself permission to consider my writing and my still life 365 blog work part of the creative every day challenge. Also, maintaining still life with circles with occasional posts. I also participated in a silent art auction for SHARE-Lancaster and met the amazing Mother Henna, EmilyStephanie Cole, who hosts this website Beauty in the Breakdown and has a book coming out that you should totally buy, and of course, Hawk and Kara's mother and stepfather and cousins. It is always amazing to connect in real life with other grieving artists and mothers (and fathers). I am continually moved at how these women and men who were strangers before Lucy feel so much like family.

Alright, onto the art, on still life 365, I have started a travel journal, and so here is my entry for the first page of the journal, then it went to Germany...



















Travel Journal, Watercolor, 03.31.10.

In February, my dear friend Kristin asked me to do a painting for her. She wanted something to inspire her to write. Something meditative. Something that touched on nature and art. She gave me a quote by James Therber, "Don't get it right, get it written." A week later, I became embroiled in caretaking, for my husband and daughter and myself. It was so consuming. I felt especially drained creatively. I can't really express the level of stress I was under. I just about exploded. Still, her painting was there lurking, and I felt terrible about not being able to devote the time and attention to meditating on it. After my son was born, I felt a level of comfort and stress of his surviving the pregnancy and birth part was diminished, though will always still be there, I assume. Anyway, after he was born, I also ordered a watercolor journal to begin art journaling. In it, I found myself sketching Kristin, trying to find some images I connected with.






















Kristin First Sketch, watercolor and ink. 






















Kristin Second Sketch, pencil.






















Instinct and Inspiration, watercolor and mixed media.

Here is the explanation I sent to Kristin:
I started sketches a few times, and just didn't connect with it. I was having trouble with inspiring inspiration. I wanted it to be right for you, but I was creatively drained. Finally, I had an idea for it that I connected with, and began sketching. And so, here is your painting. I am calling it "Inspiration and Instinct" It is on watercolor canvas. 9x2. The image itself I wanted to make fantastical and accessible. I made your hair long and flowing to give it an air of exaggeration, as well as extend your arms out of encompass novels and ideas. I have an old dictionary/encyclopaedia, and I thought it would be cool to cut out the definitions for inspiration and instinct. I also handwrote the quote by james therber that you sent me. The dictionary/encyclopaedia has a section of nature sketches, so I thought it would be cool if you were inspiring not just painted swirling ideas, bits of paper, literature, but also these butterflies and moths, each an inspiration. Moths I always associate with night, and butterflies day, so they are supposed to inspiring work day and night. I actually thought of painting them, but liked that between your hands was both fiction and non-fiction; painted and from a book.
Other work I have done in the journal:






















I Prayed for Each of You, acrylic and ink.























Mizuko Jizo with Pinwheel. Watercolor.

























The Wind Blows my Kimono, but not my Hair. Acrylic.
























Day in the life. Watercolor.























Pray. Acrylic and Mixed Media.























Broken Hearted Geisha. Acrylic and Mixed Media.